Archive for the ‘Shibuya Station’ Category

tokyo: mori art museum, tokyo city view, and the aldgate british pub   15 comments

Saturday, July 22:  I arrive at Azabu-juban Station and I know I need to walk quite some distance, but I have no idea in what direction to go.  Instead of wasting a lot of time, I take a taxi, and it’s a good thing I do.  It’s quite a long ride to the Mori Art Museum. I’m rushed for time since I need to meet Graham at 5:00, and it’s 3:30 when I arrive at the museum.  I need to finish seeing everything by 4:30, at which time I need to catch a train to Shibuya.  The Mori Art Museum is on the 53rd floor, so I head upstairs, where I find a monstrous mammoth hanging over the entrance.

Entrance to the Mori Art Museum

The special exhibit at the museum is SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now. The exhibit runs from July 5 – October 23, 2017. According to the museum’s website:  With its total population counting around 600 million, multi-ethnic, multi-lingual, multi-faith Southeast Asia has nurtured a truly dynamic and diverse culture. Contemporary art from the emerging economic powerhouse of Southeast Asia is currently earning widespread international attention. The “sunshower” – rain falling from clear skies – is an intriguing yet frequently seen meteorological phenomenon in Southeast Asia, and serves as a metaphor for the vicissitudes of the region. This exhibition, the largest-ever in scale, seeks to explore the many practices of contemporary art in Southeast Asia since 1980s from 9 different perspectives. It aims to showcase its inconceivable dynamism of Southeast Asia that is somewhat nostalgic yet extraordinarily new (Mori Art Museum: About the Exhibition).

I only have the names of some of the installations and pieces, and only some of the artists, because I simply don’t have enough time to note all the details.  I’m in a rush, so I take pictures and move along.  This is the first museum I’ve visited in Japan where photography is allowed.

metal rods

montage of signs

sign montage

dwelling

Below is a “large-scale collage of overwhelming density that fixes its gaze on what is made, what is destroyed, and what is preserved in Malaysia, thereby questioning the ways of the nation-state” (SUNSHOWER: Highlights).

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Liew Kung Yu (b.1960) Malaysia
City of Towering Columns (from the series “Proposals for My Country”)
2009
Photo Montage 213 x 575 cm (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Since I’ve traveled extensively in Southeast Asia, I am captivated by these photos of Asian dwellings.

I’m not really sure of the significance of this exhibit of building tools.

I’m sorry I can’t give any details about these fascinating collages made from newspapers and magazines.

This installation, called “Words and Possible Movement” is by Jompet Kuswidananto (2013).

Words and Possible Movement – Jompet Kuswidananto 2013 (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

I saw something like these mesh shapes in the Renwick Gallery in Washington.

shapes

amorphous shapes

ping-pong table

According to SUNSHOWER: Highlights: “More than 1,000 wind chimes jangle in the gallery space.  These colorful plastic decorations speak of the festive nature of Southeast Asia and a global economy supported by mass production, as they deliver a palpable vibration from which we sense signs of change.”

Stormy Weather by Felix Bacolor of The Philippines 2009 (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Stormy Weather by Felix Bacolor of The Philippines 2009 (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Stormy Weather by Felix Bacolor of The Philippines 2009 (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

Stormy Weather by Felix Bacolor of The Philippines 2009 (This photograph is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 2.1 Japan.”)

It’s a shame I have to be in such a rush, but I’m worried about meeting Graham on time.  Neither of us have phones that work in Japan, so it will be impossible to contact each other if we are running late. It turns out after I rush through the exhibit, it’s 4:04.  I debate whether I should do it, but I decide I can just squeeze in a visit to the Tokyo City View Observation Deck, which is on the 52nd floor.  I’m so glad I do as these are the finest, and only, views I experience while I’m in Tokyo.

Here are the views to the east.  Tokyo Tower is the red and white tower.

Tokyo City View

Tokyo City View

Tokyo City View

Tokyo City View

Tokyo City View

Tokyo City View

Tokyo City View

The observation deck seems to have a helicopter landing pad.

Tokyo City View Observation Deck

The views to the west are more hazy, as I’m facing into the sun on a hot summer day.

Tokyo City View

Tokyo City View

Tokyo City View

It’s about time for me to leave, so I take one last shot to the east and then I head downstairs.

Tokyo City View

I ask at the museum desk about the fastest way to get to the train station and the woman tells me I should catch a bus to Shibuya that takes a half-hour. I do this, and am panicking when the bus becomes stuck in a slow-moving traffic jam.  Finally, I’m let out at Shibuya Station and I am walking across Shibuya Crossing with all the crowds at 5:02, only a few minutes late!

Shibuya Crossing

Graham got to our meeting spot early, so he is starting to wonder if I’m lost, but we finally find each other and head through the streets to the Aldgate Traditional British Pub.

Shibuya

Shibuya

Shibuya

The Aldgate Traditional British Pub

At the pub, we enjoy a meal of fish and chips, draft beers, and lots of laughs, as always. Graham was supposed to bring his partner, Ako, with him this evening, but she backed out at the last-minute because she didn’t feel good. I was disappointed that I wouldn’t get to meet her.  Graham wanted to reschedule our meeting for next weekend, but as I’ll be in Nikko next weekend, we couldn’t find a time that would work.

When we leave the pub in the dark, we’re accosted by the bright lights of Shibuya.

I had never managed to see the Hachiko statue in all the times I’ve been to Shibuya, and quite by accident, I stumble upon the famous statue.  If you don’t already know the story, you can find it here.

Hachiko Statue

It’s been a long but productive day, topped off by an enjoyable evening with my good friend Graham.  I’ll certainly miss him when I go home. 🙂

Total steps today: 17,653 (7.48 miles)

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shibuya & the yamatane museum of art   4 comments

Saturday, July 15:  Back at Shibuya Station, I finally see the famous “Myth of Tomorrow,” Okamoto Taro’s 1967 mural commissioned by a Mexican luxury hotel.  It disappeared two years after its creation, but was finally found in 2003.  In 2008, the 30-meter long work, which depicts the atomic bomb exploding over Hiroshima, was installed inside Shibuya Station.

Myth of Tomorrow at Shibuya Station

Myth of Tomorrow at Shibuya Station

At the far end of the 2nd floor, on the way to the Inokashira line, is this pretty tile mural.  I don’t know much about it, but it’s very colorful.

Colorful tile art at Shibuya Station

Colorful tile art at Shibuya Station

Shibuya Station has a lot for which it’s famous.  Shibuya Crossing is rumored to be the world’s busiest, and is nicknamed “The Scramble.” People cross in all directions at once.  I’ve crossed here before, but until today, I’d never had a high-up vantage point. It’s fun to watch from Shibuya Station’s second floor, near the “Myth of Tomorrow” mural.

Shibuya Crossing

Shibuya Crossing

Shibuya Crossing

From Shibuya Station, I get on the Yamanote line and go one stop to Ebisu Station.  When I get out, I need to walk some distance to the Yamatane Museum of Art, but I have no idea in which direction to walk.  I normally try NOT to turn on my cellular data while I’m in Japan, but here I’m so hopelessly lost, that I must turn it on to follow Google Maps to the destination.  I finally get to the museum at 3:30, an hour after leaving Shibuya Station.  It’s a long hot walk up and down hills to get to the museum, and I am soaked in sweat by the time I arrive!  How I hate this Tokyo weather!

Kawabata Ryūshi at The Yamatane Museum

The Yamantane Museum of Art is featuring an exhibit by Kawabata Ryūshi (川端 龍子, June 6, 1885 – April 10, 1966).  The artist’s name was the pseudonym of a Japanese painter in the Nihonga style, active during the Taishō  (July 30, 1912 – December 25, 1926) and the Shōwa (December 25, 1926 – January 7, 1989) eras. His real name was Kawabata Shotarō.

While working as a magazine illustrator, Kawabata Shotarō studied Western-style painting at various studios.  In 1913, he traveled to America.  After returning to Japan, he switched to creating Nihonga.  The Nihonga style refers to paintings that have been made following traditional Japanese artistic conventions, techniques and materials, according to Wikipedia: Nihonga.

He became an advocate of art created for large public spaces and his works stood out for their immense, dynamically charged expression.  In 1959, he was designated a Person of Cultural Merit and awarded the Order of Culture.

Yamatane Museum

I am interested to find out that in 1950, after the death of his wife and son, Kawabata Ryūshi went on the 88-temple pilgrimage in Shikoku, something I want to do sometime.  He took a total of six years to make the circuit, sketching extensively along the way. I don’t plan to take that long to do the pilgrimage, if I’m able to do it! 🙂

As is usually the case in Japanese museums, visitors are not allowed to take photographs. The only photo that is allowed is of this panel, Pearl Divers, painted by the artist.  You can see some of the artist’s work on this link: Kawabata Ryūshi.  Also, I bought several postcards from the museum and took pictures of those, shown below.

Pearl Divers, Kawabata Ryūshi

Pearl Divers, Kawabata Ryūshi

Ryūshi was known for his love of family, his devotion to Buddhism, and his passion for haiku poetry. He composed haiku, one verse a day, throughout his life.

Three cranes by Kawabata Ryūshi

Japanese Irises by Kawabata Ryūshi

Bomb Exploding by Kawabata Ryūshi

After spending a half hour at the rather small exhibit, I make my way back to Shibuya, where I’ll take the train home. At Shibuya Station, I still don’t see the famous Hachikō statue, but I do find this mural of the legendary loyal dog.

Hachikō the dog was a golden brown male Akita Inu (a Japanese breed from the mountains of northern Japan) who arrived every afternoon at Shibuya Station to wait for the return of his master, Professor Hidesaburo Ueno. This pattern went on for just over a year, until one May day in 1925, the Professor suffered a cerebral hemorrhage while away at work and died. Each day, for the next nine years, nine months and fifteen days, Hachikō awaited Ueno’s return, appearing precisely when the train was due at the station. Over these nine years, the fame of Hachikō grew with several articles in the newspapers (GoJapanGo.com: Hachiko Statue and Wikipedia: Hachikō).

Hachikō mural at Shibuya Station

The story of Hachikō is often told as an example of great loyalty.  The story of Hachikō has also been told in the British-American drama film Hachi: A Dog’s Tale in 2009, which starred Richard Gere, Joan Allen and Sarah Roemer. This film was remake of the Japanese film, Hachikō, released in 1987.

Hachikō mural at Shibuya Station

Hachikō mural at Shibuya Station

Two hours after leaving Shibuya Station, I’m sitting at the bar at Dai Trattoria Pizzeria, enjoying a glass of chilled white wine, a pizza, and the cool air conditioning. 🙂

Dai

Dai

Tomorrow, I’m excited because I finally get to spend the day with my Instagram friend Yukie.  This will be the first and only time I will meet her in Japan, but I do hope to meet her some other time in the future!

Total steps today: 16,955 (7.19 miles).

 

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